I prefer to paint with Acrylic paints. I don’t have the temperament to wait for oils to dry. I am drawn to what can develop from a flat, white piece of canvas using colored plastic pushed from synthetic brush strokes.
I start the process by finding a subject to paint. I will scour the Internet or flip through photographs I have taken to find a subject matter or interest. What draws my attention is arrangement and color. Chances are if I am passing by a scene with these factors, I will stop and investigate it more, most likely taking a photograph and putting it in my “to paint” file. Even if I am painting from a black and white photograph, I will paint it in full color. Choosing colors based on the mood I want to give the picture. I believe that painting is an illusion of the actual thus when I paint I am giving you my interpretation of it. I also believe it is a captured moment where we can interpret and present an expression of this object. A sky presented as a flat monotone gives a different expression than one with contrasting dark, thick strokes.
I enjoy the challenges of painting different subject matters and the varying results I get in my interpretations of them. I am currently working to find a style that I feel the most comfortable with. I fluctuate back and forth from precise clear representations of an object or scene to an conceptual style that allows for more of an abstract interpretation of the subject using thick and bold strokes to covey its meaning. My choice is leaning toward the abstract style.
Monday, September 21, 2009
Whitney Stansell
Details from (top to bottom) "State Penitentiary," "Waiting on a Southbound Bus" and "St. Bernadette's Exterior"
Whitney Stansell is an Atlanta artist whose work focuses on storytelling. Storytelling paintings have roots that resemble the drawings from the way ancient native cultures recorded their knowledge through pictures. She takes personal stories she was told of her mother as a young child and reconstructs the facts through a visual form. This recording of past life events keeps the stories from extinction, yet exposes how the act of storytelling is often influenced by interpretation and environmental experiences. For example, in narrative writing we may be presented with a description of a scene yet when we read the descriptive words on paper, a personal and different picture may develop in our minds and not the exact representation the writer had imagined when describing the scene. The words are used as a process that links together our imagination and experience. Stansell creates her pictures by this same melding process. She sketches out the stories from her mother’s recount of events and intertwines them with her own experience and interpretations. She says, “I begin every painting by sketching out memories. You have to let the outside world form your imagination,” “Mine is formed by everyday surroundings.”
Stansell reminds us that story telling as well as all types of art; have endless ideas from which interpretations can be constructed.
Whitney Stansell is an Atlanta artist whose work focuses on storytelling. Storytelling paintings have roots that resemble the drawings from the way ancient native cultures recorded their knowledge through pictures. She takes personal stories she was told of her mother as a young child and reconstructs the facts through a visual form. This recording of past life events keeps the stories from extinction, yet exposes how the act of storytelling is often influenced by interpretation and environmental experiences. For example, in narrative writing we may be presented with a description of a scene yet when we read the descriptive words on paper, a personal and different picture may develop in our minds and not the exact representation the writer had imagined when describing the scene. The words are used as a process that links together our imagination and experience. Stansell creates her pictures by this same melding process. She sketches out the stories from her mother’s recount of events and intertwines them with her own experience and interpretations. She says, “I begin every painting by sketching out memories. You have to let the outside world form your imagination,” “Mine is formed by everyday surroundings.”
Stansell reminds us that story telling as well as all types of art; have endless ideas from which interpretations can be constructed.
Friday, September 11, 2009
Women at an Eaton's Company mail order office picnic
From the website Archives of Ontario where you can find old photographs featuring Ontario's history. The picture: Easton's Company mail order office picnic (ca. 1910) creator Marion Owsten. http://ao.minisisinc.com/scripts/mwimain.dll/1252/8/749/13723?RECORD
Monday, September 7, 2009
Artist Statement
Amy Mirabella
Senior Studio and Seminar
Artist Statement
Due: September 7, 2009 by Midnight
The pursuit of art has been a long winding road for me. While years pass, many pursuits in your life change or take priority. Art has remained a constant beating drum that has been with me all along. Whether taking classes or finding time to seclude myself in a downstairs art room. I realize in a way, art has chosen me instead of the opposite. I have tried many different other pursuits, this one continues to surface with a lingering anticipation.
Over 20 years ago I picked up a paint brush for the first time. For many years I continued to be self taught. I would paint when I had free time and when I saw something interesting that I wanted to capture on paper. I had leftover cloth from re-upholstering my couch and used it to paint on. I took one community education class that got me hooked. I learned about canvases, mixing paint, types of paint and contrasting colors. It was 1995 when I put away my brushes and began concentrating solely on digital imagery. I started a Graphic Arts degree to see how much I could learn. Using the computer as a tool, I attempted to express my political, spiritual, and humanistic concerns prompted by class projects. I found that inspiration ranged from a particular moment in my life to an event taking place on the world stage. Creating balance, connection and interpretation are vital to an understanding. A visual artist’s role is that of a poet, instead of using solely words, they composed with images, combining them in a unique way to create a personal statement.
A couple of years ago I felt the impulse to challenge myself again and really put forth a desire to learn more about art. I started the studio Art program at the University of Rochester. I have taken classes in art history, digital media, video, drawing and painting. My pursuit has brought me back to the desire to paint again or at least realize that painting has been the underlying influence to all other areas of art. When I am trying to use a new medium and am stuck trying to complete a project, I usually resort to showing how the combination of mediums can work together. The approach to Photography is similar to how a painter approaches a canvas. Both are about the realm of seeing and experiencing.
In painting, I work in a traditional method with acrylics and canvas. Since the digital age, I use a digital camera and Photoshop as tools of production along with drawing and under painting to set up a scene or make a photograph print to paint from. I select subjects that I feel have eye catching, colorful and have a balanced spatial relationship. Still life’s can be set up using the digital camera to capture a unique arrangement. Often I will take a working image or a number of images and finalized them in Photoshop, enhancing colors or lighting and then draw the picture on the canvas. Through my experience I have learned that the computer is a great tool for me to use in art making.
While classes have started again I want to take this opportunity to create and exhibit work. I am making a commitment to create at least 50 small paintings before the end of the semester. The exact number of paintings derives from the fact that there are 100 days from the day I started classes until the deadline for classes to end. This means I will produce at least 2 paintings a week plus keep up with my full time job, family, 2 classes and all school requirements.
My focus will begin with doing small landscapes and still life paintings. This will be a big change to my previous pursuit to painting, where I constantly re-se canvases, painting over them with another painting idea. I imaging there are canvases that have had at least 5 paintings on them. I hope this commitment will help me to devote more time, and discover more about the process of painting. With producing two small painting each week and posting them on this blog. I hope to benefit from the discipline of committing to painting on a frequent basis. My plan in deciding to work small is to see if I can take risks that I never would have taken with larger pieces that take much more time. Likewise, it will be easy to abandon a painting that just wasn’t working and move forward with a new one. My overarching goal has been to become better skilled artist and not let this opportunity and experience pass by.
Senior Studio and Seminar
Artist Statement
Due: September 7, 2009 by Midnight
The pursuit of art has been a long winding road for me. While years pass, many pursuits in your life change or take priority. Art has remained a constant beating drum that has been with me all along. Whether taking classes or finding time to seclude myself in a downstairs art room. I realize in a way, art has chosen me instead of the opposite. I have tried many different other pursuits, this one continues to surface with a lingering anticipation.
Over 20 years ago I picked up a paint brush for the first time. For many years I continued to be self taught. I would paint when I had free time and when I saw something interesting that I wanted to capture on paper. I had leftover cloth from re-upholstering my couch and used it to paint on. I took one community education class that got me hooked. I learned about canvases, mixing paint, types of paint and contrasting colors. It was 1995 when I put away my brushes and began concentrating solely on digital imagery. I started a Graphic Arts degree to see how much I could learn. Using the computer as a tool, I attempted to express my political, spiritual, and humanistic concerns prompted by class projects. I found that inspiration ranged from a particular moment in my life to an event taking place on the world stage. Creating balance, connection and interpretation are vital to an understanding. A visual artist’s role is that of a poet, instead of using solely words, they composed with images, combining them in a unique way to create a personal statement.
A couple of years ago I felt the impulse to challenge myself again and really put forth a desire to learn more about art. I started the studio Art program at the University of Rochester. I have taken classes in art history, digital media, video, drawing and painting. My pursuit has brought me back to the desire to paint again or at least realize that painting has been the underlying influence to all other areas of art. When I am trying to use a new medium and am stuck trying to complete a project, I usually resort to showing how the combination of mediums can work together. The approach to Photography is similar to how a painter approaches a canvas. Both are about the realm of seeing and experiencing.
In painting, I work in a traditional method with acrylics and canvas. Since the digital age, I use a digital camera and Photoshop as tools of production along with drawing and under painting to set up a scene or make a photograph print to paint from. I select subjects that I feel have eye catching, colorful and have a balanced spatial relationship. Still life’s can be set up using the digital camera to capture a unique arrangement. Often I will take a working image or a number of images and finalized them in Photoshop, enhancing colors or lighting and then draw the picture on the canvas. Through my experience I have learned that the computer is a great tool for me to use in art making.
While classes have started again I want to take this opportunity to create and exhibit work. I am making a commitment to create at least 50 small paintings before the end of the semester. The exact number of paintings derives from the fact that there are 100 days from the day I started classes until the deadline for classes to end. This means I will produce at least 2 paintings a week plus keep up with my full time job, family, 2 classes and all school requirements.
My focus will begin with doing small landscapes and still life paintings. This will be a big change to my previous pursuit to painting, where I constantly re-se canvases, painting over them with another painting idea. I imaging there are canvases that have had at least 5 paintings on them. I hope this commitment will help me to devote more time, and discover more about the process of painting. With producing two small painting each week and posting them on this blog. I hope to benefit from the discipline of committing to painting on a frequent basis. My plan in deciding to work small is to see if I can take risks that I never would have taken with larger pieces that take much more time. Likewise, it will be easy to abandon a painting that just wasn’t working and move forward with a new one. My overarching goal has been to become better skilled artist and not let this opportunity and experience pass by.
Friday, September 4, 2009
Frank Gonzales
I have chosen two pictures from the website of Frank Gonzales that showcase his bird and landscape paintings. In the bird paintings, he combines graphics with paint, often including thin washes of paint. The landscape paintins are simple yet contian a variety of different color hues that work to present a certain spatial qualities such as depth.
Frank Gonzales
Subscribe to:
Posts (Atom)